You will never catch me in a parrot hat. Never.

Jan 5 2009 in Reviews by Deborah Bach

There was a story in the newspaper the other day about Jimmy Buffett’s astounding success. Skimming over it, I almost choked on my coffee as one sentence in particular caught my eye. It mentioned Jimmy Buffett’s average annual income—more than $40 million.

How the hell is that possible, I thought? For most of his career the guy had just one top 10 hit, in 1977, the schlocky, irritatingly ubiquitous Margaritaville.

Turns out Buffett is more canny than his beach bum schtick suggests. He’s managed to parlay his cheesy tropical fantasy into a lucrative empire that includes two restaurant chains, clothes and shoes, household items, drink blenders, booze and a soon-to-be-built casino. He recently put out his first No. 1 album, “License to Chill,” plays sold-out shows and seems to be more popular than ever.

All this to say Buffett isn’t fading away into the sunset, which pretty much guarantees that I won’t be able to avoid hearing his insipid music at every boating get-together we go to. I’m sure I’ll get plenty of hate mail for writing this, but his music’s as boring to me as sitting through a trigonometry class. I don’t get the appeal. Maybe the baby boomers are hearing something I’m not.

But I’m not the only one. On his television travel show “No Reservations,” chef and author Anthony Bourdain was visiting a Hawaiian shirt store and when told that Jimmy Buffett paid $4,000 for a shirt (some beach bum!), he remarked:

Everywhere I go … everywhere there’s a palm tree or a ski slope, Jimmy Buffet’s been there first. He’s driving the price of shirts up. He’s opening his hamburger places everywhere. And I hear that damn lost in Margaritaville in every good bar in the world. He has personally ruined my life.

I feel your pain, Anthony. Whenever there’s a group of boaters around, there’s no escaping the Cheeseburger in Paradise hell. It’s not just the bland-as-pablum aspect of the music that irks me-it’s also how wildly absurd the whole tropical beach fantasy, kick-off-your-flip-flops delusion seems when you’re in the Northwest, shivering your arse off in layers of fleece and long underwear.

My generation needs our own Jimmy Buffett, a seafaring hipster who sings smart songs about stormy seas and the fierce beauty of the Pacific Northwest. He must be out there somewhere, and I can guarantee he’s not wearing a retarded-looking parrot hat.

In the meantime, I offer you a list of some of our favorite sailing music, in no particular order. Put that margarita down, pour yourself a tumbler of some good rum and enjoy:

  1. Martin Hayes – Under the Moon (CD). If you’re not yet a fan of traditional Irish fiddle music, this CD is likely to change that. The Irish-born Hayes’ lyrical, meditative brand of fiddling is so beautiful it’ll make your heart ache. It’s equally perfect for a peaceful sail on a sunny afternoon or a rainy, lazy afternoon reading in the salon.
  2. Air – Moon Safari (CD). Melodic and lush, this CD—particularly the first track, “La Femme l’Argent”—sends me into a blissful trance every time I listen to it. I like the instrumental tracks best but the songs with lyrics are also terrific. It’s electronica at its timeless, seductive best. Sailing has never been so sexy.
  3. Gillian Welch – Dear Someone (from “Time (The Revelator)”). This sweet, slow waltz tells a story of someone building a boat and sailing off around the world to find her love. It’s a beautiful little gem on a traditional country/bluegrass album filled with some of the most inspired songwriting I’ve heard.
  4. Lily Allen – Alright, Still (CD). The debut by this sassy, gutter-mouthed Brit was one of our favorites from last year. Singing with a delightful Cockney brogue about topics ranging from her pot-smoking little brother to her glee over the suffering of a philandering ex-boyfriend, Allen offers up a delightfully varied pastiche of pop, ska, reggae and hip hop with wickedly funny lyrics that contrast wonderfully with her catchy, upbeat melodies.
  5. Burl Ives – Down to the Sea in Ships (LP). First, the bad news: released in 1956, this album is out of print. We burned a copy onto a CD from an LP. If you’re lucky enough to get your hands on it, it’s a classic with traditional old sea shanties like “Jack Was Every Inch a Sailor” and “Go Down You Red Red Roses.” Ives’ folky stylings might make the traditionalists wince, but with musical maritime yarns about ghost ships sailing to hell, sailors getting rolled by prostitutes and lighthouse keepers who sleep with mermaids, can you really go wrong?
  6. Kings of Convenience – Riot on a Quiet Street (CD). The second release from this Norweigan acoustic duo is equally as good as its acclaimed debut, “Quiet Is The New Loud.” Though the band chafes at the comparison, its harmonizing is reminiscent of Simon and Garfunkel, but the music is much more complex and interesting. At turns upbeat, jazzy and wistful, it’s a nuanced, brilliant collection of songs.
  7. Postal Service – Give Up (CD). For us children of the ‘80s, this is a great throwback to the pop-synth style of that era. Its catchy, wonderfully complex songs manage to sound both retro (think Depeche Mode, New Order and OMD) and timeless. Mixing dance beats with orchestral sampling, organ and other instrumentation, it’s not just fun to listen to, but interesting.
  8. Belle and Sebastian – Piazza, New York Catcher (from “Dear Catastrophe Waitress”). I like the entire album but this acoustic track has a special spot in my heart, since we played it right after our wedding ceremony. It’s about a couple playfully tripping around the world together. The lyrics start with “Elope with me, Miss Private, and we’ll sail around the world, I will be your Ferdinand and you my wayward girl.”
  9. Townes Van Zandt – Rear View Mirror (CD). Many a night has been spent lying in the cockpit, looking at the stars and listening to the 17 extraordinary tracks on this album by the late, influential singer-songwriter and poet. Countless artists have tried on the wandering troubadour persona but Van Zandt was the real deal, a tortured genius who penned hauntingly beautiful songs that are his lasting legacy.
  10. The Waterboys – Fisherman’s Blues (CD). The rollicking, wistful title track is the quintessential paean to the romantic lure of the open ocean, and the rest of the album is equally good. Comprising musicians from Scotland, Ireland and England, The Waterboys blend Irish folk and rock for a sound that’s unmistakably their own.

What music do you listen to when you’re boating? Does Mr. Margaritaville give you a hangover? Are you a Parrothead who wants to tell me how wrong I am?  Fire away. Post a comment below.

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About Deborah Bach


Deborah Bach is the editor and co-founder of Three Sheets Northwest. She is an avid sailor and long-time professional journalist. You can find Deborah aboard Three Sheets, an Island Packet 38, with her husband Marty and their cat Lily.